Wave Editor

Ocean Swift’s Wave Editor – Offers studio-grade processing without bloat and unnecessary features.

Wave Editor is a standalone audio editor for Windows and Apple Silicon, built around a simple idea: the tool should disappear and leave you with the audio.

It gives you two ways to work, and switching is instant. Canvas mode lays every open file out on one workspace – compare takes, drag a selection from one file to create another, keep an entire session visible at once. Focus mode hands the whole window to a single file, with open files as tabs across the top.

The processing is Ocean Swift’s own DSP, the same code that runs in DevOcean Modular and the Sound Creator Suite. Tone shaping, dynamics, character and repair, alongside the everyday work of gain, fades, phase, silence and format conversion. It is a growing library, and it grows from a platform that has been under development for years.

Every effect can be applied to one channel or both. Loop points can be found automatically, snapped to zero crossings, and crossfaded so they stop clicking. Files carry their RIFF metadata and NKS tags intact.

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Wave Editor

Edit, Shape, Loop, Ship - Studio-grade processing. No bloat.

Beta Information:

The software is under active development and may contain bugs, reporting them helps us solve issues before the official release.
The beta does not yet contain all of the features intended for the official release.

Featuring:

Mono and stereo file editing (multi channel audio files are NOT supported)
An extensive portfolio of processes and effects based on our DevOcean Modular and the Sound Creator Suite
An intuitive workflow featuring Canvas and Focus modes
Quick, easy, expected and logical user experience paradigms
Clean, concise and bloat free interface and features
Fully functional demo – saving is disabled.

Main Workflows and Tools

Edit, Shape, Loop, Ship

Canvas and Focus modes

Canvas mode – the whole session at a glance – Every open file is a card on one workspace. Compare two takes side by side, move between them without hunting through tabs, and drag a selection out of any file to spin it into a new one instantly. It’s the way you’d lay files out on a desk, if a desk could hold audio.

Focus mode – one file, the whole window – When you need to do detailed work, one keystroke hands the entire window to a single file. No canvas, no surrounding furniture – just the waveform, edge to edge, with your open files as tabs across the top. Drag a selection onto the tab bar and it becomes a new file.

Sample-accurate loop tools

“Find Loop” searches the audio for the most self-similar pair of points and loops between them. Cross Loop crossfades the wrap so it stops clicking, with five fade shapes and optional zero-crossing snapping. Loop points survive every edit – cut, paste, trim, reverse – and are written back into the file.

Per-channel processing

Click the upper or lower half of a stereo waveform and the selection covers that channel alone. Normalize just the right channel, EQ just the left, gate one side – every effect respects it.

Studio-grade DSP processing and effects

The effects are ports of the DSP running in DevOcean Modular and the Sound Creator Suite – the same algorithms, matched to the source, running offline where there is no real-time budget to spend.

That means tone shaping, dynamics, character and repair are transparent and part of a ever growing library from a platform that has been in development for years.

Metadata that survives

A built-in RIFF Reader shows exactly what’s inside a file. NKS tags can be viewed and edited in place, so sample-library work stays library work.

The everyday work, done properly

Gain, normalize, fades, phase repair, silence trimming, format conversion. Unglamorous tools that you reach for constantly – so they are fast, predictable, and put where you expect them. Nothing here asks you to learn it twice.